Austin Monthly

Bion Tsang profiled in Austin Monthly magazine.

Austin Monthly Austin, TX January 2011

Master Class

UT MUSIC STUDENTS TAKE LESSONS FROM CELEBRATED CELLIST

At an age when most kids learn to ride bikes, Bion Tsang picked up a cello. He was only 7 years old, but it didn't take long for him and his teachers to discover his incredible talent with the instrument. Tsang entered Juilliard at the ripe age of 8 and remained there for nine years. After attending Harvard University, where he studied musicology and composition, Tsang realized he was meant to perform music rather than write it. "When I perform, I want to capture the essence of music and evoke a response from the audience," he says. "Classical music isn't always pretty; sometimes it's angry, nasty and dramatic."

In 2002, Tsang made the move from New York City to Austin to become the professor of cello at the Butler School of Music at UT. He now teaches his students to "make a musical instrument illustrate what is in your mind, heart and soul." That's something that the professor can speak of with firsthand knowledge, as it earned him a 2010 Grammy nomination for Best Classical Crossover album for his work with Austin's choral group Conspirare. "The award ended up going to Yo-Yo Ma, but just being nominated for something so prestigious was a great honor in itself," he says.

When he's not instructing younger generations in classical music or playing frequent on-campus concerts, Tsang travels the world to perform everywhere from Chicago to Hong Kong and beyond. "I want my students to see the fruits of our labors through performance," he explains, though he's quick to add that teaching comes first. "The biggest reward is to see my students grow in their love for the music and to watch their development."

By Heather Calvillo

Available in hard print in Vol. 18, No. 1 (January 2011, Talk: Creative, pp. 40-41)

Bion's Disney Vacation

The highlight of Bion Tsang's year, by far, was taking his family on their first family vacation at the Walt Disney World Resort in Orlando, Florida. They spent eight glorious days and seven magical nights at Disney's Yacht Club Resort visiting the Magic Kingdom, Epcot and Disney's Hollywood Studios theme parks. A couldn't miss was an excursion to The Wizarding World of Harry Potter at Universal Orlando's Islands of Adventure. The weather was (brrrr) colder than expected, but most enjoyable nonetheless. Bion is already plotting his return to that place "where dreams come true..." View the Virtual Photo Book

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KLRU Rebroadcast

“A Company of Voices” to re-air on KLRU

KLRU 18-1 Austin, TX December 1, 2010

On Wednesday, December 1, at 7 PM, KLRU 18-1 will rebroadcast “A Company of Voices: Conspirare in Concert,” the KLRU-TV produced Long Center program, also available on DVD, for which the 2009 Harmonia Mundi CD by the same title was nominated for a Grammy®. Bion Tsang appears as guest artist in three numbers, "Gabriel's Oboe," "Will There Really Be a Morning?" and "The Water is Wide."

More info...

Bion Tsang and the HiFiMAN HE-6

Bion Tsang's latest CD as reference for AVguide.com

AVguide.com Playback Magazine November 17, 2010

Chris Martens of Playback magazine uses Bion Tsang's latest CD, Bion Tsang and Anton Nel: Live in Concert, as his classical music recording reference to review the $1199 HiFiMAN HE-6 Planar Magnetic Headphone in his article, "Stretching the Peformance Envelope." Here's what he had to say:

"Finally, let’s look at a fine classical music recording for a great example of two more of the HE-6’s most musically satisfying qualities; namely, its timbral purity and remarkable ability to convey the acoustics of the recording venue. The recording I’ll cite here features cellist Bion Tsang and pianist Anton Nel performing Brahms’ 'Four Hungarian Dances for Violoncello and Piano,' Live in Concert [Artek, CD], as recorded at New England Conservatory’s Jordan Hall in Boston.

"Right from the opening measures of the Hungarian Dances you can hear in an instant that the cello and piano are being played on an open stage in a concert hall, and with an audience presence. The HE-6’s deftly reproduce the resonances of the instruments’ voices reflecting off the stage surface, the reverb characteristics of the hall, and—between the four dances—the subtle sounds of both the performers and of audience members shifting in their seats. These are the kinds of low-level sonic details that all top-tier headphones can handle well to some degree, but that few can pull off with such enchanting realism.

"But the best part comes when the HiFiMAN ‘phones reveal the blinding virtuosity of Tsang’s cello performance and the wonderfully controlled, perfectly paced lyricism of Nel’s piano work. The HE-6’s give you an amazingly up close, personal, and believable view of the performance, so that you can almost sense the intensity of Tsang’s concentration during the more challenging cello passages, or the way the players listen intently to each other and then make minor adjustments in pace and timing so as to stay exactly in sync with one another. Through the HE-6’s you aren’t 'just listening to music' (as in hearing the general shape and flow of the notes); rather, you’re allowed to go deeper and to hear the performance—complete with all of the deep back-and-forth communication that word implies."

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Frank Bridge Sonata

Bion Tsang's latest performance of the Frank Bridge Sonata in D minor, H. 135, for Cello and Piano, with pianist Anton Nel has been added to the Performance Library. From a concert in Bates Auditorium in Austin, the live recording was engineered by Andy Murphy. To listen to the performance (and others) in its entirety, Launch the Music Player.